he realization of this cope comes from a painting by Vittore Crivelli, “Madonna with Child with San Basso and San Sebastiano” dated 1475-1499. The painting today is exposed in Cupra Marittima, in the church named to the patron saint of the city, San Basso.
The idea was to reproduce as faithfully as possible the piviale worn by the saint, recreating specifically the numerous decorations on the stolons of the board
In 1915 a terrible earthquake hit Avezzano completely destroying the Cathedral of San Bartolomeo, however only one object was spared and found in the rubble: a decorated pillar.
The geometric ribbon pattern of this pillar was then used as the basis for the construction of the liturgical set.
The inspiration for this project comes from the ceiling of the Church. The rich gold geometries that embellish the central part of the nave, along with the arches that serve as a contour have been the subject of analysis and study of the work.
The ceiling of the Cathedral, built in the mid-thirteenth century and recognized as the oldest monument of the city, was the inspiration for this project.
The rich geometries of golden chests that adorn the interior of the Duomo were subject of analysis and study of labor.
Project dedicated to the Basilica of the Holy Sepulchre of Barletta, a church built in the fourteenth century and famous destination for pilgrims heading to the Holy Land.
The inspiration for this project comes from the apse frescoes that adorn the interior of the Basilica, specifically a small detail was the basis in the creation of stolons.
Liturgical set made for Pontificio Seminario Lombardo of Rome, a project in a modern style that at the same time includes traditional elements
Personalized project dedicated to the parish church of Saints Peter and Paul, Lomagna. RBuilt in the mid-nineteenth century in neoclassical style, the church has inside an arch decorated with bas-reliefs, inspiration for the vestment.
Stolons were thus developed using hand-woven gold trimmings, embroideries and golden studs to create highlights.
The current Church of Saint Giulio was built in 1846, after the decision in the late eighteenth century to replace the previous church, given its small size unable to contain all the population of the parish.
The liturgical set was born studying the marble geometries present on the church floor.
The Cathedral “Nostra Signora dell’Orto” in Chiavari was born as a Marian sanctuary in 1613, three years after the first apparition of the Virgin in that place.
The liturgical set was born from the study of marble inlays that decorate the interior of the cathedral.
The Cathedral Basilica of Matera, built in the thirteenth century is the mother church of the city. In 1389 it was dedicated to Santa Maria della Bruna, patron saint of the city celebrated every 2 of July.
The liturgical set is inspired by the geometries of the columns of the portal, and the rose window of the Church., elements that were then reported on the stolons of the vestments
The Cathedral Basilica of Otranto, or Cathedral of Santa Maria Annunziata, was founded in 1068 A.D. and includes different architectural styles.
The ceiling of the Cathedral, made of wood with gilding on a black and white background, was the inspiration for the realization of the stolons of the liturgical set
Liturgical set dedicated to the Cathedral of Cagliari, also known as the Cathedral of Santa Maria Assunta and Santa Cecilia.
Use of a special inlay technique to better recreate the marble decorations of the Cathedral.
